Lend me courage

https://open.spotify.com/embed-podcast/episode/7jInwcAqPcKWEIutsR2D4B

Lend me courage, Lord and Master, to enter the stillness with a willing acceptance of my lack, and yet with fullness of hope that I might someday inhabit the castle at the center of my soul. Light your lantern in this dim forest, this thick Amazon, or give me the will to wait here until you do, until you take my hand in the dark night and lead me through. Until my trust in you is complete, I will pray in my thirst to embrace whatever roadblocks you place in my path. I will not pray for easy fulfillment of my every dispersed desire. I will not pray to complacently retire from the world of strife, the world of violence rife with polluted minds and tortured hearts. I will not pray for immediate and everlasting freedom from the enemy battalions whose only mission is to topple the towers of virtue in my own heart. I know the battle will go on for a long time. And as long as it does, I will pray only this: to always hold in my soul’s steady hands the double-edged sword of passionate discernment, in order to understand which cords of my bound original nature it is my task to cut through, and which of these cords I must leave for you.

“Nothin’ To Say”

The day has ended, but the cars do not cease
I sit at this desk, wondrin’ if anyone is at peace
I feel so far away from the only one I ever knew
I sense tragedy ahead, but what else can I do?
I need to move on, I got nothin’ to say
To stay’s to wither, and let the soul decay

The heart’s a labyrinth, the mind’s a black hole
You can get trapped in either, lose sight of the whole
To capture the foal soon to grow into a magnificent steed
You’ve got to go after what you want, and know what you need
I need to move on, I got nothin’ to say
To stay’s to wither, and let the soul decay

There’s never enough time, and something is always lacking
You’re not hungry, you’re not cold, but loneliness is attacking
In the heat of the summer, everyone’s ravaged by lust
Like a self-propelled incinerator, about to combust
I’ve got to get outta here, I got nothin’ to say
To stay’s to wither, and let the soul decay

Must my skin be touched for my passion to manifest?
Can I not touch it within, where the heart finds its zest?
What can I do when this restlessness never leaves me?
What song can I sing when even singing grieves me?
All I can do is move on, I got nothin’ to say
To stay’s to wither, and let the soul decay

Let me find a quiet place where I can think and chop wood,
Where I can feel the peace of morning, and say that it is good,
Where the fires that now consume me, can lead me to the light,
Where the one thing I’ll never touch, calls to me through the night
I hear the call to move on, I know there’s nothin’ to say
To stay here’s to wither, and let the soul decay

“Down The Road of Struggle and Desire”

I walk down the road of struggle and desire
Each morning I strain to rekindle the fire
I want too much; I want nothing at all
I want to climb and then watch myself fall

What could I give you that I can call my own?
The scientists make theories, nothing is known
I know I feel too much, that’s abundantly clear
Will I ever recover? Will I ever be here?

My mind and my love, they’re ten thousand miles away
My rucksack is packed, you and I know I can’t stay
Got nowhere to go, that’s never stopped me before
My soul is on fire, blazing the path to the door

Now the door is open, time to sing Whitman’s song
Afoot and light-hearted, no journey is too long
For these rugged feet and this restless heart
That seeks to go beyond what tears it apart

Everyone’s got their own life to live
Some people take, some people give
Taken me years to know I don’t know my own name
Life’s just fear and loathing when you’re possessed of no aim

So much stays in utero, hidden and indistinct
On the day when it surfaces you begin to go extinct
Your real self exists in the unfathomable deep
The truth rests in the unseen; the seen rests asleep

I weep on the surface, in the depths I rejoice
In speech I am silent, so my soul finds its voice
One day I’ll be old and decrepit, on the sands lost and alone
Seeking solace in the sea’s power, my hand gripping a stone

No matter my age, my yearning will not leave me
Lovers will leave, and friends will deceive me
This yearning will remain with me ‘till the end
If everyone else abandons me, on her I can depend

On the gentle sands of relentless time
I stand stranded, in what I’m told is my prime
Youth is unkind when you don’t know your own name
And life is suffering when you are possessed of no aim

As dusk collapses into starless night
Everyone goes out, seeking some light
I’m already gone, don’t look for me there
To go backward is sinful, to move on is my prayer

There’s an angel and a devil in every soul on earth
To discover the former requires rebirth
The devil may be strong, but the angel is always stronger
The devil’s at the fingertips, to find the other takes longer

Am I more alone, or do I feel my aloneness more acutely?
I will endure what I must, and I will endure it resolutely
I will find what eludes me in the cities and the towns
I will keep firm on the trail, my ears alert for all sounds

As I walk down the road of struggle and desire
This town is pitch-black, this house is on fire
I go out into the night, to remember my own name
I go out, never to return, I will blow this ember into flame

“Heartsick”: A Rap

Chewing on a toothpick,
I knew I’d end up heartsick,
the final death of the candle wick,
The light that burned out long ago,
The night I said I had to go,
I was mad as hell, you were high on blow,
How was I s’posed to show you my love
When you couldn’t catch my heat with a major league glove,
You stood above, on your throne, wooden and golden,
In your regal zone while I sat there foldin’
In on myself, like a gin-soaked elf,
Wishing I had another fifth o’ whiskey from the top shelf,
If I did this for my health, I would’ve quit before I began.
Step up to the stand and I’ll declare your rights,
You have a right to clam up, a right to dance all night,
You know I’ll choose the latter cuz it restores my sight
That you took from me, like a blind man at sea,
Like a runner without knees
I stumble off the trail, mumble to these trees,
Seekin’ to seize some sense
From their staunch presence,
Launch myself from myself and into descent,
But the deeper I go the more that I moan,
Moan for you to be near, and this lostness of soul.

Looking into the eyes of no one,
Cuz your eyes are nowhere to be seen,
Blinding my eyes with the distant sun,
Not knowing what anything means;
Now I look into the eyes of no one,
Cuz your eyes are nowhere to be seen,
Now I blind my eyes with the distant sun,
I don’t know what anything means.

Sitting here with eyes closed,
Thinking ’bout what I chose,
And back to all the shows we performed together,
Back to all the storms we endured and weathered,
You shed me then, like a bird her feathers,
And now I can’t soar, like I’m trapped and tethered,
I sit below on the ground, hopelessly lonely
Now I sink and I drown, before you controlled me
You still do from afar, and nothing consoles me,
Friends try hard to cajole me, to restore the soul of me
But nothing they can do could fill this hole, you see,
You left me; nothing can change that fact
It ends finally in rejection, in the final act
Best to reject first, before gettin’ stabbed in the back
If I tracked you now, I’d find you scheming your next attack,
Getting your mask ready, putting on a happy face,
Doin’ the tasks necessary, to give the new man a taste
Of what you are capable of, you’re like a treasure encased
And your grip is inescapable, your lust for power insatiable.
Once under your thumb, chance of escape is negligible
I was born susceptible to Beauty and Passion
And I’ve searched for them both, in my personal fashion
What I thought I found in you turned to entrapment
Now I wander the shores, and the sea is my master,
Ripped asunder by ‘the more’, closing in on disaster,
I’ve lost the ‘before’, and I don’t know what comes after,
Except for this war, remorseless, and my mind my captor.

Looking into the eyes of no one,
Cuz your eyes are nowhere to be seen,
Blinding my eyes with the distant sun,
Not knowing what anything means;
Now I look into the eyes of no one,
Cuz your eyes are nowhere to be seen,
Now I blind my eyes with the distant sun,
I don’t know what anything means.

Well, so that’s the sad view
It don’t negate the glad view
I look up at the blue sky above the canyon wild
I want to explore it all with the instinct of a child
Lost in the roadless miles, i recall your angelic smile,
But I came here to forget that, and I’ve come to resent that
I so seldom saw that smile towards the end,
Ed Abbey’s Seldom Seen could be around this next bend,
Right around where Ruess disappeared and why pretend
I connect more with these two solitaires of the desert
Than I ever did with you and the torn sweatshirt
Of our love, how much more could I get hurt
And still find some meaning before the hearse,
Hope your purse is full, and you’ve found a way to pull
Your own onerous weight, great is the wool
You’d need to pull over your own eyes not to see
Just how much suffering you’ve inflicted upon me
But I’ll let it be, it’s in the past, no need to flee
What’s already behind me, now I’m back on the grind,
And work will be my new love, I’m only at the rind,
And who knows the sweetness I could well find?
No need to remind me of what I never forgot,
My mind is taut, and I’ll teach myself, reach
For what all that can’t be touched by hand,
You understand? I stand alone under the bridge
That separates ridge from river, and yes I shiver
You were the giver, and I received too much
I perceive too much, and it pains the brain
What do I gain by a mirror stained by time?
Is it not plain that I must do more than rhyme?
Fine, clear enough, but here’s where it gets tough,
For I want–I want–I want, but what I want I cannot say,
I wanted you, and look where that’s got me today,
Getting too old to play these games, seek this fame
That doesn’t mean anything anyways. It’s all the same
Only the names are changed, and I’d gladly exchange
This lust I feel now for the love I felt then,
But without that love’s end I wouldn’t be holding this pen,
If it weren’t for that den of lions, I know I’d still be dyin’,
But now I’m living, now I’m getting out on the road,
The world I thought you held, now I get to see it unfold.

Now I look into the eye of the storm,
And I listen for what cannot be seen;
Now I look for the formless in form,
I will listen to the silence to discover what it means

On The Solitary

“A Poet is the most unpoetical of any thing in existence; because he has no Identity – he is continually in for – and filling some other Body – The Sun, the Moon, the Sea and Men and Women who are creatures of impulse are poetical and have about them an unchangeable attribute – the poet has none; no identity – he is certainly the most unpoetical of all God’s Creatures… not one word I ever utter can be taken for granted as an opinion growing out of my identical nature – how can it, when I have no nature?”
John Keats

There is an expression I sometimes hear: ‘Can you meet my needs?’ I feel this very question is false and cannot be asked. Needs cannot be met by another. Another can only meet transient wants, desires. Others can only meet you where they are, which will leave you wanting. Needs that can be met by others are not true needs.

The single need of the solitary is to become unified in solitude, with the help of all the other solitaries of the ages.

One characteristic of the solitary, and one reason he remains alone, is because he knows how quickly he can attach to others. Do not suppose he always loves his solitude. He experiences both the joys of solitude and the pains of loneliness with greater intensity than the outward directed man. Unlike the outward directed man, who typically attaches to one person and remains with that person, a choice that alleviates loneliness as well as passion, the solitary attaches quickly and detaches just as quickly. He has had past experiences of falling for those who he felt understood him, though he could not know beyond doubt. But the solitary is without fail a deeply intuitive person in the sense that Carl Jung defined it when he wrote,

“In intuition a content presents itself whole and complete, without our being able to explain or discover how this content came into existence. Intuition is a kind of instinctive apprehension, no matter of what contents…Intuitive knowledge possesses an intrinsic certainty and conviction.”

So the solitary has felt understood intuitively, not knowing why he feels this way but knowing it is so. He also intuitively understands that the vast majority of people who he meets do not understand him, and this is why he attaches to those very few who do. However, knowing he is not yet unified and knowing he can only become so in solitude, the detachment comes not long after the attachment, and the solitary keeps within himself the one who is gone. He introjects the other, in psychological jargon.

We had a falling-out, like lovers often will
And to think of how she left that night, it still brings me a chill
And though our separation, it pierced me to the heart
She still lives inside of me, we’ve never been apart

The solitary needs to be intuitive and intellectual, emotional and physical. Only if he is balanced in these ways can he maintain his sanity while being alone. Only by being balanced can he become unified. Having a balanced array of strengths allows the solitary to stave off excessive loneliness and do the necessary work which must be done alone, the work of creation, of ecstatic vigil, of maintaining and strengthening a private love that has the unified strength of being undistorted by object, that is not lost to unloving institutions or diminished by a constant search for someone who will receive it and return it in whole. Love cannot be returned in whole because it cannot be given to another as a whole. To be kept whole it must not be revealed directly. To attempt to reveal it directly is to split it.

At the same time, there is a way of not revealing it that does not leave it whole, when the not revealing is not chosen, when the love is held in out of fear while the person desires to find an object for it. In the solitary poet, this holding in of love can exist with the desire to keep it whole. He understands that his very self, what Keats calls his unpoetical character, his lack of identity, makes a long-term love relationship where he keeps his love whole impossible. He is not nearly consistent enough, not at all certain enough in himself, far too doubtful of any possibility of happiness with another. The solitary would need to be given the opportunity to spend months at a time out of sight of the other. If this is not possible, he will probably make both his and the others’ life a misery. He will look for some way to feel in a more intense way than it’s possible to feel in a day-to-day relationship, at the expense of the relationship itself. In a life of routine where passion must necessarily be deadened in order that work can be done, the solitary feels himself deadened and can do no work, for his work is the work of passion.

The solitary is nothing if not a passionate person. One reason he remains solitary is because his passion is so deep down, so invisible to the eyes of others. The only way he can express it is through nonverbal forms, through music and dance and art. It is not possible through conversation, so he tends to be silent because he desires to be authentic more than he wants to be on good terms with superficial relations, if good terms are synonymous with inauthenticity. What are good terms? Usually terms that lack passion. Unspoken terms that everything will be out on the surface and spoken, except for the terms of course, which remain unspoken. When all is ‘open communication,’ then communication opens no doors to the unseen. Doors remain closed and people remain divided.

Even if the solitary believed in being on good terms, if he could not speak to the other of his terms — that there are things that must remain unspoken — it would not be worth his effort. For one thing, he could not help but become aware that he is going against his own essence by doing so, moving away from unification by attempting to be on good terms with other divided people. Though he does not know who he is, he knows he acts as someone he is not when he tries to be on good terms.

And the solitary draws a line here. In art, it is acceptable to speak out of character, in the voice of another real or created person, for in that case he is empathizing in a deep way with another, he is actually becoming that other — “filling some other Body”— taking the form of another for the sake of expressing a truth beyond himself. But what truth is he expressing by being someone else in everyday relationship? He is only exposing himself to the untruths necessary to be on good terms — unspoken terms of repressed passion — in society. In society, the solitary must be another, as he can only be himself when alone, though who he is remains in a constant state of change and flux. What does not change is this: Who he is only reveals itself when he is alone.

But let the solitary be careful not to create an identity out of his solitariness, for the creation of identity is the work of the social world. In creating an identity out of being solitary, the solitary will not be a solitary — in fact, he will be renouncing who he is by saying he is that — because identity and solitude are opposed. The solitary is such as he is because he lives with the tension of having no identity, of being no one to others, so he can discover who he truly is. Being ‘unpoetical,’ having no ‘unchangeable attribute,’ he writes poetry until he is what he writes and no longer needs to write himself into Being.

It is also crucial that the solitary not avoid others solely because it is with them that he feels most alone. In that way he would be like the other-directed or outer-directed man who does not want to be alone because that is when he feels most alone. Whereas the solitary feels least alone when alone, in solitude.

Either the solitary will make an identity out of his solitariness, which is actually a renunciation — though it may be meant to be a celebration — of true solitariness, or he will renounce being a solitary with the knowledge he is doing so, go against his identity-less nature to try and find some niche where he can be someone, using some talent or other he might possess and being rewarded for that talent. But that talent will only come from what solitariness remains in his compromise. There can be no compromise in the solitary. Having an identity as a part of the social world is a compromise, and compromise itself belongs to the social world. Therefore, the solitary cannot compromise. He can write as long as he does not call himself a writer. He can dance as long as he does not call himself a dancer. He can teach as long as he does not call himself a teacher.

Instead, he must aim to accept his own solitariness. One way to do this is to learn to be comfortable with his silence, to refrain from speaking unless he feels compelled from within to do so. There have been and will continue to be many times when others try to compel him to speak, or gently push him to do so. That others will feel uncomfortable with his silence cannot be denied, and whether their approach is forceful or gentle is due to their own personality and makes no real difference. It is still an effort to coerce no matter how gentle.

The solitary must maintain his silence until the words are compelled out of him from within rather than from without. Maintaining his silence will also increase the tension in him. What is in him will strive with more desperation to find its way out. Unable or unwilling to turn to relations, he will be forced to find another outlet. His creative work will begin to take on the aspects of the solitary — passionate, intense longings unable to be communicated in any other way.

I Was Never

I was never less understood than when she said, “Tell me how I should understand you best.”

I was never in greater sorrow than when she asked, “How can I make you happy?”

I was never in more intense passion than when she said, “I never see you show emotion. Sometimes I think you’re a cold person.”

I was never more inward than when she said, “You don’t have to be afraid. You can open up to me.”

I was never more helpless and alone than when she said, “Let me help you feel less alone.”

Longing For No One Still

A whole multitude of birds part me from sleep this morning. They sing me awake but they cannot sing me to stillness; still, I do love to hear them sing; for a few moments I give myself over to the listening. I do not want the sun to rise but would like Time to stop moving so I can remain in these moments that flee from me as the sun finds its way into my room. When the sun rises the people also rise, and whatever peace I had felt within me will turn to conflict, what clarity I had felt will turn to confusion as surely as the day begins, whatever light in me the darkness had helped to rise will fall again with the rising sun. But perhaps I will have a few moments shortly after the sun has risen when the other light lasts past its usual time. That is all I can ask of the other light this morning. Then I will willingly return to the darkness from whence I either came or willingly walked into one time, having heard that only there is one truly lit.

And who was it I heard that from? Someone who had been lit then burned and then finally cooled? Or someone whose burning slowly grew and was not extinguished? Was it someone at all who told me that? Or did no one itself tell me that?

I can be told nothing by those whose passion, though it does not have to be visible and outward, I can nevertheless clearly see has cooled or whose fire has extinguished completely. Would you believe that I can be told nothing by most people? For instance, would most people tell me to “wait for no one”? No, they would tell me instead to “seek out someone to love, seek out your soul mate, find happiness in love, find satisfaction in work, spend time with others, get out of yourself, pursue your desires and your dreams, live in the moment, do not think of the past or future, sleep well, eat well, work hard, hold on, be free, be still, find comfort and shelter, keep moving, be moderate, let go, dance with pretty young women, talk with wise old women, laugh with women always somewhere from ten to seventeen years older than you, and above all do not wait and allow all opportunities to pass from you. Above all go after what you lack, do not wait for it to come to you.” But I lack no one, and how can I go after that?

Would they harass me to speak before I am ready or would they allow me to be silent until the words arise out of me on their own accord? When finally I find someone who will tell me nothing, then I will be willing to listen. This is why I am waiting for no one. Someone is always telling me something. I have the feeling that only when no one can find me will I be told nothing. I am always listening closely to be told nothing, and that is why I wake up early when only the songbirds are up. They sing of nothing and I listen closely to their song. They tell me nothing and if I could listen to them telling me nothing all day and night as I wait for no one, I feel I would soon be given all the wisdom of the ages, which I would keep within me until the one I wait for, who is now not a one, finds me and in doing so becomes no longer no one but also still not someone.

Still I am not sure if I am even someone at all, and moreover I am not sure if I want to be someone, if in being someone I no longer wait for no one. Actually, I am quite sure I do not want to be someone. “Sure you do,” I hear from those ones who are always telling me something, “Use your talents, go after success, receive the credit due for the work you put in, give people hope, give them a reason to live, inspire them to greatness, inspire them to be someone as well. When people say to you, ‘now you are someone,’ then you will know you are someone. When people say to you, ‘you have given me the freedom to be someone, and who I have become has provided security and certainty in my life,’ then you will know you’ve done what you were put on this earth to do.”

But still I say I was not put on this earth to do anything of the sort; I was not put here to inspire anyone but rather to wait for no one. Certainly I was not put here to provide certainty for someone! If you do not understand that, you are probably someone yourself, hoping to be provided with certainty, which may well be the end of all hope, which I am not certain even exists in the first place. You’re probably always telling me something you’re certain is true. When I say I wait for no one, I am not telling you that. I am telling no one that. Remember that no one is my audience. Remember that I hope (oh yes!), yes I hope that no one reads this and comes to meet me in the place we decided on before it was decided by all those not me that I should become someone—like them. Then I was still no one; now, still not yet myself, I wait here for no one still. I feel like I’ve waited for many years, even when I did not know I was waiting. I have been waiting for no one long before I was told to be someone, and I will wait for no one long after everyone has given up on me, convinced I will never become anyone at all. By all means, I would say to them, go on being someone; I will continue to wait for no one.

I used to think I was waiting for someone. There were women I thought I longed for. Perhaps when she returns, I thought, I will be able to be myself again. She let me be myself, she loved me for the whole of who I was and also for the splits within me. If she returns I can again be the someone I no longer am. But although she brought out the someone in me, when I was with her I was no longer waiting for no one. I would forget about no one in her presence, forgetting also that before my search to be someone began I had been waiting to meet with no one, who was absent; I had been waiting for no one until I was sure I could meet it everywhere.

When I was with her, everything seemed indeed to be all that I had dreamed of and more; it seemed she was the one I had waited for, though she was not at all no one; she was someone, and someone as beautiful and fleeting as the purest snow falling in the night before the desert sun melts it the next morning. If I could not be with her while still waiting for no one, then I could not be with her at all. But it took me some time to understand the longing, time I spent longing for some woman, or other, time I did not yet know what I truly longed for, which I came to understand was for no one, in time. But how I still long!

Waiting For No One

The same sun shining through the window in this place I must have been before, this place a blue-haired sea-creature left and I returned to only to remember she could only dance alone. Always leaving and returning, always dancing and sitting still. Always looking for the ‘always,’ for what remains, for what is ceaselessly here and does not need to leave and return in order to be here without ceasing, what does not cease but whose activity is not meaningless. For what is more confusing than unceasing and meaningless activity? Doing in order to escape being, working in order to be paid for one’s efforts in fleeing the self. Yet, what is the flight I undergo as I rip apart “what constrains my heart to this prison from which I’m fleeing?” So I ended a poem. Is this a different sort of flight? Yes, for it involves ripping apart the chains, not simply avoiding the chains or going someplace where the chains aren’t nearly so painful, a place where one can forget the chains altogether.

The flight I undergo must go through rather than under or over the chains, cannot avoid them; must go through the self, cannot flee it. It is not a flight from self but a flight from the fleeing of self, from whatever forces the self to flee; it is a forcing of the self to remain with what it wants to flee and be free from, to remain chained until it is able to rip apart what chains it. It is a flight into and then a fight within, rather than a flight away from and a fight without. The outer fight is only ever a flight away from, can only ever put distance between me and what I must come near to, can only disconnect me from myself, from the flight into and the fight within.

The absolute necessity of this flight into and fight within can make me uncomfortable in any situation which requires me to flee away from and into the outer fight which never has made any sense to me. This is why I have a lost look in my eyes much of the time, or in overcompensation I have the driven, focused look of one who pretends he knows exactly what he is after. But do I know what exactly I am after? Would it be exact if I said I am after what brings me before my essential self, what brings my false self to its knees in agonized supplication, what brings me to a place where I can share in the agonies of others, seeing through the distorted expression of the soul and into the essence of their agony? Or would that be a poetic misleading, a flowing veneer like a roaring river just before it is dammed?

Is it possible for me to be exact? What exactly is possible here? What should I hope for? Should I hope at all? Some say hope sits with love on the top shelf of the most essential virtues; others say it is an illusion and inessential. It is essential that I see through illusion, but first I must know what is illusion and what is truth. Is hope essential or is it an illusion? Or is it an essential illusion? But there are no essential illusions; the two terms are contradictory. There is much in this world and in the self that is contradictory, however, and there is much truth in contradiction as well.

There is contradiction in that the self needs to undergo the fight within yet wants to engage in some outer fight so as to avoid and distract itself from the more essential fight. Is it right to call it an inner fight? It is a fight with no victor, no one standing over the others. It is a fight that ends in reconciliation, and the casualties of the fight were never alive in the first place. It is a fight that ends in aliveness, leaving dead and forgotten on the battleground only what never had existence. It is a fight that ends in soul after going through distortions. But the outer fight leaves on the battleground bodies whose souls had the potential to become fully alive. The casualties in that battle were not yet fully alive (for who is fully alive?), but they could have become so. Now they cannot. It is a fight that ends without any sort of true reconciliation, for true reconciliation is inner unity. The peace treaty only signifies that one side was more successful at fleeing the self than the other side.

Who am I writing this for? No one. I am writing this for no one. Only if no one reads this will I be happy, for no one is my audience. The more people who read it, the less happy I will be, for then I would be getting away from my audience, who is no one. If you are reading this, you are not my audience. By all means, read on, dive right into my confusion with me and we can sink a little bit deeper, or perhaps you and I together can float along long enough to be to be rescued by no one, who was my audience in the first place. No one will be sure to come by soon enough to where we are struggling to keep our heads above water. Is it a mistake to call for no one to come rescue me from sinking? Regardless, neither no one nor anyone will come. Perhaps you should leave; remember I did say you were not my audience. I am not here to sink with you. Search for someone to save you, by all means, while I wait here for no one. But do not think I wait here for no one passively or passionlessly. It feels to me like I wait here for no one as no one has ever waited anywhere for anyone. I wait here for no one perhaps like one who still waits for a lover after many years at the intersection of Despair and Hope, where the train to Bedlam crosses the train to Bedrock, where the train that never stops running passes the train that has not yet begun, and the one who is waited for is no longer anyone to the one who waits except in dreams. Do not think I wait here simply thinking. I can no longer think. I think now only of simple things. Is it too hot? It is too cold? Should I go out? Should I stay in?

While I am thinking of simple things, which is all I can think of anymore, I feel the intensity of my longing the way I feel the unbearable summer heat of the desert, multiplied by infinite degrees. Yet who do I long for? No one. Not a single human being. Not even her. Not anymore. I know how that longing ends, and I do not want a longing that ends. Yet this longing for no one is beginning to sear me. Do you think I wait for a dream? No, I must not have made myself understood. Let me try again. Let me, without trying to make myself understood, again express my longing in such a way that it cannot help but be understood, at least by myself. Is it myself or no one who I’m writing for?

I cannot help it if you read this; just remember that I am not writing to you. Although if you are able to remember what you have forgotten, I hope you remember also that this writing is a sort of forgetting, though its final goal is remembering. And what is remembering but forgetting the present to return to the past? I have forgotten the gift which turned out to be nothing of the sort that you handed to me just before I turned from you and walked without a map into the heart of the wilderness, though I didn’t know how to find what I didn’t know I had come there for, and my heart was in such unrest that the silence of the desert could do nothing at all to still it. Had you forgotten that? I would not believe it if you told me you had, but who am I to say I always believe my disbelief?

You must for a moment suspend your disbelief, suspend yourself in mid-air with me as we circle slowly downwards towards the heat of the balloon that rises to meet us, though we are in different hemispheres and I cannot see you. Because I cannot see you, does that mean the heat that rises will not meet in the space between us? Because there is space between us, does that mean I cannot see you?

The heat that rose in me cooled the passion an unearthly sea-creature felt for me, once she realized that this rising heat was not directed towards her, had not risen for her, did not rise for any human being. Again let me remind you that I wait for no one. I know the heat that rises in me, though it may reach the space between us, will not reach either of us when there is no longer any space between us and we are in a passionate embrace that lacks the rising heat. When the heat has risen above it slowly fades from below. And as the heat slowly fades from below the one who felt the heat slowly becomes separate from it, becomes cool, detached, indifferent, without the intensity that is his greatest strength. To burn continually one must have faith that the fire will not come to the surface to be extinguished but remain where it can burn slowly but fully, ever increasing in heat. Faith and patience are necessary as well as an ability to allow oneself to feel lost, given over to the lack of gravity in space while remaining locked into the seriousness of the task, out of one’s hands yet within one’s self.

Unable to be Moved—a Fiction Vignette

I need to write how I feel though it rarely makes any difference. The birdsong, the calm of Sunday evening, everyone in their homes, the loss of light as night overcomes the day: none of it moves me. My own unhappiness moves me least of all. It disgusts me. I went to a place where people who sometimes move me get together, but my heart did not stir. I flipped through books that had moved me before—to tears, to adventure and the road, to longing, to love for wildness and people great and small, to love for quiet and peace within me. I tossed each book down again. None of them could move me. Oh, but I would not be resigned! In the morning before the sun had risen I got on my bike, rode up in the direction of a mountain to the south for 15 miles up a steep grade. I made it to the top and flew down. But to move oneself is not to be moved, to feel oneself moving closer to some destination is not to move closer to oneself. I could see the trees pass by in a blur on the side of the road; it could not make clearer the blurred confusion within me. I moved my body but my soul was left unmoved.

Knowing I could not simulate the love for people I didn’t presently feel, I moved myself into the simulation of anger to see if that emotion could change my mood. I riled myself up. People? I despised them. Always smiling, unconscious or unable to allow themselves to feel their own suffering. It was all pretend, a never-ending game of Risk that ends with each player being dominated by the world, except in this pretend game people were stabbed for their shoes and thrown into gutters to die with rats. And me? I was experiencing my anger about people faking happiness and about the injustice of things in a superficial, fake, non-genuine way, without the compassion and sadness that I knew were deeper than the anger. That only sunk me deeper. I could not think of one happy moment.

Just two nights before, I had danced to funk, soul, and rock and roll. I could not hold the memory in my mind. It flew from me into unreality. Dancing—when I felt most myself, most able to express the truth in my soul—did nothing to me. Its restless, self-abandoning and self-revealing movement was only a way to escape the inability to be moved. It was no better than riding a bike. It was nothing but a last ditch effort to rid oneself of burdens that, at the end of the night, would come back with unforgiving vengeance. It failed like all other futile efforts. I remembered with greater clarity the visceral feelings that came into consciousness after the dancing was over and the glow from it gone: unable to sleep, pummeling the keyboard like I always do, trying to approximate in writing the feelings I get from dancing, and failing there too.

It was all failure, and success was the greatest illusion and entrapper of all. I had never succeeded, though perhaps nothing is more fortunate than this. I had lost jobs, lost prestige, lost relationships that had not even begun. No one had lost anything for me. I had lost them all the way I prided myself on being: alone. But none of those outward losses bothered me as much as the inner feelings: my felt sense of deficiency; my inverse and hidden grandiosity, the distance between who I was and who I felt like I could be; my loneliness yet my barely unconscious shattering of all possible opportunities I had to moderate that loneliness with a long-term romantic partner. But what good did that do? How could someone else take the loneliness away? It was not possible. The loneliness was there, and all I could do was understand and express it as best I could. A partner would only put temporary distance between myself and what I could not be parted from.

I could lose everything as long as I could create a work of art that expressed all the pain of those losses and the much greater pain of which those losses were only a symptom. I could not do it because I didn’t even feel any pain, only apathy and a frustration I felt would engulf me from the inside. I suppose I cannot say that I did not feel pain, but my greatest pain was being unable to express the pain I felt. Everything I wrote was inadequate. Only dancing provided an immediate and full expression of feeling. But the expression of pure and complete feeling possible in dancing was inadequate because inarticulate. Energy without meaning. I could dance and express the truth in my soul, but what was that truth? What did it mean? What good did it do after the fact? Nothing was left on the floor, though everything had been propelled out and onto it. It was depth brought to the surface with nothing that remained after the cessation of movement. Nothing that explained the contradictory feelings of overwhelming nothingness and unbearable passion impossible to keep down, the feelings that had caused the restless movement in the first place.

Soon all the feelings would plunge back in and down, become invisible, practically non-entities, as insignificant as the empty dance floor in the closed dive that only moments before had been the site of such forced exuberance. The feelings would be sucked in like dirt into a vacuum, the only thing to show for their existence and expression the fading neurotransmitters that would make it difficult to sleep for a few hours at least. And in the morning a hangover as psychologically painful as that from booze, though the night had been spent without the suspect benefits of that wrecking substance. The extreme ecstasy that dancing can bring at its most intense moments does not lead to long-term happiness and the comedown is just as severe, just as strong as that from any intensely enjoyable experience, whether naturally felt or artificially prompted. It is important to find the center, but not if it precludes the dancing, not if it prevents the soaring. Let monks and spiritual titans experience that grounded, centered equanimity. I know nothing of the center. It is as alien to me as I have become to myself.