The Fly: A Short Story

It started when I woke up and heard the fly in my room. I did everything I could. I read, I meditated, I sang, I did push-ups, I typed on the keyboard, I even tried praying to relieve the burden of this fly. The fly was still in the room. Sometimes it would stop flying and land somewhere. These were peaceful moments. Most of the time, though, it flew around. Those were hostile moments. I left the house for a while and forgot all about the fly. When I came back I remembered. It was still alive and flying! I tried a few times to kill it, but I could not manage to do so. It’s hard to kill a fly by simply clapping your hands. Flies are elusive and exasperating insects.

I could have left again, let the fly buzz around until he got tired or died. I couldn’t do it. This was my house, not the fly’s house. It was cold and rainy, a day to sit contentedly inside and watch the rain fall down, not a day to be outside. But I could not be content with the fly in the house, it brought me to the end of my patience, I really couldn’t stand it. I couldn’t stand it or sit down with it in the house. I could do nothing but become increasingly irritated. I sat and tried to read again. Nothing doing. I could do nothing but think about the fly. It had completely taken over my attention. There was nothing else in the world but the two of us, the fly and me. I thought about why the fly had come. There had to be a reason. Flies don’t just appear out of nowhere without a reason. I thought about it some more and could not think of one single reason why this fly was in the house.

Was there no reason for this fly? If there was no reason for this fly, then did that mean there was no meaning in this situation? The dread!

The apparent meaninglessness of the entire situation filled me with horror and forced me into action. The meaning here would reveal itself, I was sure of it. I needed to be sure. I would learn what this whole thing meant by killing the fly. From the death of the fly the meaning of the situation would come to life. But first, the fly must die!

I went again into action. This time the fly would not get away. I followed him into the bathroom and shut the door. There, let him fly around in there, I thought. That settles things.

Before too long, I had forgotten about the fly and settled in to read. Sometimes I would stop reading and bask in pure contentment: the peaceful stillness of the day, the mix of rain and snow gently falling on the window, the warm cup of tea in my hand, I needed nothing else. The simple pleasures of life! What else was there to need? Needing was for unhappy people, the ones who were always intolerably irritated with absurdly minor issues.

Intolerable was the word. The irritability of other people always exasperated me to no end. How could anyone be so irritated! And how truly minor the issues were that made them so upset. I didn’t see a bit of sense in it. There was no meaning in it at all. What disturbed everyone all so much was as pointless as a fly. I was glad to be rid of those constantly irritated and discontented people, glad to be rid of all my burdens and worries. As the cold rain fell down on the window outside, I felt arise within me the warmth and sunlight of true contentment!

Soon, having drunk a pot of tea, I found I needed to go pee. Serenely, I opened the door and walked in. Immediately the fly flew out. How quickly the mind forgets of its troubles!

I forgot right away about having to pee and went to chasing the fly for a second time. Again, I tried to trap it in the bathroom, but it was too smart for that, so I was forced to look for another way to remove the loathsome pest from my presence.

I chased it for a quarter of an hour around my 350 square foot room. In such a small room, with such a small insect, such a vast and endless problem! It was madness, and it needed to stop. I chased it above the sink, I chased it under the table, and finally I chased it to my bed where it stopped flying.

I stood on the bed. The fly was in the far corner, on the ceiling, and I could tell it was afraid. The fear in the room was palpable. I stood there and waited, my entire attention fixated on the fly. This time it would not get away, I was sure of it. I thought about what I would do if it got away. I could not fathom the possibility. It was simply unimaginable to me that the fly would live for another minute. I pushed the thought out of my mind.

The fly took off again, while I clapped frantically like an epileptic at a piano concert. Did it hear my clapping? More to the point, did it understand the intent of my clapping? Above all I feared that the fly was under the misperception that I was clapping in support of it. On the contrary! I despised its very existence! I wanted to nip that misunderstanding before the whole situation got completely out of control. I wanted nothing more than to end this fly’s life, to kill its buzz, and not to give it my support by clapping, that senseless human form of expressing non-verbal approval. But the only way I knew to kill it was to clap it between my hands. That would be the last clap and the final curtain. Whatever misunderstanding my clapping might bring about would not matter after the fly was dead.

With the rage and fury fitting for such a critical and crucial moment, I roared at the fly,

“I clap to kill you, not to praise your efforts!”

Still, the possibility that my intent might be miscommunicated was too grave a threat. The complexity of the situation made my head hurt. I wanted the fly to know I was trying to kill it, and not be under the misperception that I was trying to express to it my approval. I wanted it to be in fear in its last seconds, not basking in unwarranted and nonexistent admiration.

I picked up a book. This way there could be no misunderstanding. I would kill the fly by use of the book. I tried that for a while without success. No, that could not be the way. I could clap the fly faster than I could hit it with a book. Anyways, what if the fly imagined that being killed with literature was more flattering than being killed by flattery? Misunderstanding be damned! It did not matter how this fly died as long as it was very shortly dead.

Well, what can I say? Something changed in the manner of my pursuit. I became more focused, more driven. I readied myself, I zoned in on my target. It became more of a chess match and less of a bullfight.

The fly took off away from me, and I took a desperate lunge. I clapped one time, opened my hands, and saw the fly fall below me to the ground. It twitched once, twice, three times, and then it was still. It would no longer torture me with its insane buzzing.

I took a deep breath and sat down again. Outside everything was the same. The mix of rain and snow was still falling gently on the roof, the trees shook gracefully in the wind, and the deer and coyotes roamed the hills. I waited for the contentment to come back, the way it had been hours before when I had forgotten about the fly in the bathroom. I waited to bask in the glow of a task completed, a job well done.

But something was not right. Why did I not feel more alive now that the fly was dead? Where was the freedom from every care, the loosening of all my burdens that I was sure would come when the fly was gone? I was free from the fly’s odious existence, so why did I not feel free? I had been sure the reason the fly had come into my life was because of the freedom I would feel after its death. But I felt no freedom! The dread!

In the fly’s absence I could still feel its presence. In death its hold on me was even stronger than it had been in life.

I waited.

The 90-year-old Dancing Woman

The 90-year-old woman used to protest in the streets. She didn’t do that anymore. It wasn’t that there was nothing to protest; it was more that there was too much. There was everything to protest. There were walls everywhere she wanted down, but in the end the walls would stand. One would fall, another would be raised. Hers was an unknown protest, but I found out about it at the end.

I was walking past her house one day when she chucked her T.V. out on the lawn. I was a senior in high school and would graduate in a month. My gated private school was in the poor neighborhood so I walked through where she lived every day. I saw her before she saw me. She was getting ready to swing a wooden baseball bat down on the T.V. She looked back at me, her eyes were tiny dancing balls of strangely disarming rage. I had never seen someone so old so mad. It seemed to me that old people never really got mad, only irritated, which was boring and irritating to me. But madness, true madness, in every sense of the word, was rarely boring, especially in the old. I stood staring at her like that for what must have been five minutes.

As she stared back, the madness slowly ebbed away, though not completely, and her face started to flow naturally. It was an interesting face; it seemed to express everything all at once. It was ironic but not detached, open but questioning, almost ecstatically joyful and at the same time deeply sorrowful. It was not an old face. She was old, her face looked young; when she was young, I got the feeling her face had probably looked old.

After the longest time I’ve ever stared into the eyes of a 90-year-old woman, she asked me what my name was.

“Brad.”

“What are you doing, Brad?”

“I’m walking to school.”

“No, you’re not.”

“No, I’m not.”

“You’re staring at me.”

“Yes, I’m staring at you.”

“Come in, Brad.”

I walked in. The room looked nothing like I would’ve expected it to. Then again, I had never thought about what a 90-year-old woman’s room looked like. But if I had I wouldn’t have thought of this. There were nudes on the walls and countless bottles of wine and gin on the floor. There was no bed, no furniture, just a thin light blue pad on the ground, a desk, and a typewriter. So this is what the house of an ascetic alcoholic 90-year-old writer looks like, I thought. The window looked like it had been recently busted open with a bottle; from outside I could hear birds singing and cars honking.

She asked if I wanted some gin, and I told her I didn’t drink. She asked again, and I told her again.

“I think you should have some gin, Brad,” she said.

I watched her as she poured the drink. I didn’t know anything about drinks, but I could tell this was a strong one. As she poured it, I wondered how she was still alive. I thought of trees after storms and shores after hurricanes. She practically forced the drink into my hand. I took a sip.

“What’s your philosophy on life, Brad?”

That took me by surprise. I had never taken Philosophy on Life; my school didn’t offer that. I took another sip and prolonged the sip. No answer came to me, so I answered honestly.

“I don’t have one, I guess. They haven’t taught me that yet.”

“No, they wouldn’t. What have they taught you?”

“Oh, all sorts of things. I’ve learned about the founding of America, I’ve memorized the periodic table, I know about trigonometry and calculus and biology.”

“That’s good, Brad. Br is for Boron.”

“Wow, that’s right.”

“I’m not a moron, Brad.”

“I didn’t say you were.”

“I’m going to die, Brad. I’m 90 years old.”

“Yes, I suppose you are. This drink is good.”

“Yes, it’s a good drink. Before I die, I want to teach you what can’t be taught.”

“Alright, teach me.”

She laughed. I laughed too because her laugh was infectious, although I didn’t know why she was laughing. She had a wild laugh. There was something courageous about it.  It came from deep within, and was let out slowly, building up into a raucous climax that seemed more like a beginning than an ending. It brought me in, allowing me for a few moments to experience the world together with her. We were over seventy years apart; we had just met. It didn’t matter. Her raw, joyful laugh connected us like deep sorrow. We were intertwined and I understood that so were sorrow and joy.

I had to go, I was late for class.

“Come back tomorrow,” she said.

The next day from outside her door I heard symphonic music coming from inside. I walked in and she was dancing. Dancing! I couldn’t believe it. She moved with rhythm, every part of her in synch until there were no parts, only unity. She didn’t notice me; her eyes were closed. She whirled, tiptoed and twirled; she swayed; the music seemed to enter her and she held it inside, letting it out slowly, letting it out as she took it in, taking the music in fast as it sped up and then letting it out at the same speed. The dancing was passionate and powerful like the startling lucidity of a dream that grabs you and shakes you awake. It felt real because I felt alive while watching it. Just because a thing was dream-like didn’t mean there was no reality to it.

The dancing was all the more powerful because of the expression on the old woman’s face. It took me a while to define what exactly she was expressing, not just with her face but also with the movements of her whole body. Perhaps what she expressed resisted definition and definitive analysis. Her movements went along with the movements of the symphony. When the symphony became calm, and this was rarely, there was something in her slow swaying that made me think of the swaying of a lone tree on a mountain just before an earthquake or an avalanche. The tree struggles as uncontrollable forces around it threaten its life with their power. It is the only tree left and it is strong, it will go out on its own terms. It will die when it is ready. It moves so as not to be moved, it sways so as not to be swayed, it holds on desperately to its roots by letting its branches shake wildly in the wind.

That’s what it was, if I had to define it. She was expressing desperation but without any corresponding despair or anxiety. Her desperation came from a celebration of life rather than a fear of death. The tree is calm when all is calm toward it, but when threatened from the outside, it reveals its strength. It becomes resilient, unmovable. When threatened with death, it shows how much life it has left. It is ready for the end, but the end is not ready for it. It has too much of beginnings in it, too much of spring. Winter shudders to look at it.

I realized that my schooling up to this point had been hopelessly inadequate. You could not be taught how to dance like this old woman because you could not be taught how to be this alive. What truly mattered was to be alive; you couldn’t be taught what truly mattered. Was this what she had wanted to teach me?

The music stopped. She opened her eyes and looked at me.

“Come close,” she whispered, her eyes dancing.

She was lying on the blue mat now. I went over and kneeled down.

“What is it?” I asked. “What do you want me to know?”

“Nothing, you already know. Now you just have to find it.”

“But how?”

“Some gin, Brad.”

I poured her a half-pint glass, straight. She drained it in one swallow. Then she launched the empty glass at the window a good 15 feet away with what seemed to me to be impossible strength, shattering the glass and laughing. Was she courageous or was she insane? She looked at me again. She was no longer smiling, on the outside at least, but her face was not hard. Nor was it resigned or complacent. There was that same expression: a celebration of desperation without fear or despair.

You could go out feeling secure, you could go out feeling resigned, you could go out feeling helpless or hopeless. She wasn’t going out in any of those ways. She was going out desperately. It wasn’t the same as helplessness or hopelessness. I knew nothing of her life. Her experiences were her own, but she had loved them. She had grown from them all, good and bad alike. I could see that; I had seen her dance. Like the tree, she was holding on to her roots by letting her branches go. And her branches had always gone wild. She motioned me to come still closer. I leaned in. She looked at me once more.

“Find a reason to dance,” she said.

I watched as her eyes, dancing to the music of Death I could not hear, closed for the last time.