“In and Out”

After too long locked up in confines created by other people,
It is best to confine yourself to yourself,
To close the door and lock it, and wait.
Only then, you insist, can you create.
But wait,
What is this feeling seething within you, ready to erupt up and out?
A feeling of confinement, enclosure, entrapment:

You have closed yourself off to open your heart,
Only to feel your soul contract;
You have set the trap to catch the Muse unawares,
Only to fall into it yourself;
You have confined yourself to yourself,
Only to find rejection of yourself at your core.
Yes, you have.

Now that the door is closed,
And you the one who closed it,
You need out,
You yearn with unwavering intensity
For some taste of something alive
To feed you
Into something like Life.

Out, out!

The sun is shining, water is flowing, people are dancing:
Somewhere there must be someone whose aliveness
You can feed off, some of whose lifeblood
You can force to ooze into your waning spirit,
Be the waxing moon to your crescent lack,
The saving grace for your present attack of disarray and disengagement.
Someone out there, surely, will save you from your self-induced self-abasement.

Out! Engage!
Get out of yourself,
That’s what they all say.

Going out! Being out-going! Talking to everyone you meet on the streets—
Words, words, words—
You don’t even know what you’re saying, but you’re out,
Going, getting around, walking around the city square,
Around and around and around,
Talking and using so many words,
Speaking to so many people.

Too many people!
Too many words!
You feel like you’re spinning around on a carousel,
Going in circles!
Around and around and around,
You’ve been out for too long,
It feels like years and years.

In, in! Disengage!
Close the door and lock it,
And wait.
Only now, you insist, can you create.

Now you’re in,
You’ve closed the door to re-open your heart,
You’ve locked the door to unlock the window to your soul.
Now you’ve done it,
You’ve finally done what needed to be done,
You’ve made it in:
Now there is nothing to do but wait,

Nothing at all
To do
But wait…

And so you wait.

On The Solitary

“A Poet is the most unpoetical of any thing in existence; because he has no Identity – he is continually in for – and filling some other Body – The Sun, the Moon, the Sea and Men and Women who are creatures of impulse are poetical and have about them an unchangeable attribute – the poet has none; no identity – he is certainly the most unpoetical of all God’s Creatures… not one word I ever utter can be taken for granted as an opinion growing out of my identical nature – how can it, when I have no nature?”
John Keats

There is an expression I sometimes hear: ‘Can you meet my needs?’ I feel this very question is false and cannot be asked. Needs cannot be met by another. Another can only meet transient wants, desires. Others can only meet you where they are, which will leave you wanting. Needs that can be met by others are not true needs.

The single need of the solitary is to become unified in solitude, with the help of all the other solitaries of the ages.

One characteristic of the solitary, and one reason he remains alone, is because he knows how quickly he can attach to others. Do not suppose he always loves his solitude. He experiences both the joys of solitude and the pains of loneliness with greater intensity than the outward directed man. Unlike the outward directed man, who typically attaches to one person and remains with that person, a choice that alleviates loneliness as well as passion, the solitary attaches quickly and detaches just as quickly. He has had past experiences of falling for those who he felt understood him, though he could not know beyond doubt. But the solitary is without fail a deeply intuitive person in the sense that Carl Jung defined it when he wrote,

“In intuition a content presents itself whole and complete, without our being able to explain or discover how this content came into existence. Intuition is a kind of instinctive apprehension, no matter of what contents…Intuitive knowledge possesses an intrinsic certainty and conviction.”

So the solitary has felt understood intuitively, not knowing why he feels this way but knowing it is so. He also intuitively understands that the vast majority of people who he meets do not understand him, and this is why he attaches to those very few who do. However, knowing he is not yet unified and knowing he can only become so in solitude, the detachment comes not long after the attachment, and the solitary keeps within himself the one who is gone. He introjects the other, in psychological jargon.

We had a falling-out, like lovers often will
And to think of how she left that night, it still brings me a chill
And though our separation, it pierced me to the heart
She still lives inside of me, we’ve never been apart

The solitary needs to be intuitive and intellectual, emotional and physical. Only if he is balanced in these ways can he maintain his sanity while being alone. Only by being balanced can he become unified. Having a balanced array of strengths allows the solitary to stave off excessive loneliness and do the necessary work which must be done alone, the work of creation, of ecstatic vigil, of maintaining and strengthening a private love that has the unified strength of being undistorted by object, that is not lost to unloving institutions or diminished by a constant search for someone who will receive it and return it in whole. Love cannot be returned in whole because it cannot be given to another as a whole. To be kept whole it must not be revealed directly. To attempt to reveal it directly is to split it.

At the same time, there is a way of not revealing it that does not leave it whole, when the not revealing is not chosen, when the love is held in out of fear while the person desires to find an object for it. In the solitary poet, this holding in of love can exist with the desire to keep it whole. He understands that his very self, what Keats calls his unpoetical character, his lack of identity, makes a long-term love relationship where he keeps his love whole impossible. He is not nearly consistent enough, not at all certain enough in himself, far too doubtful of any possibility of happiness with another. The solitary would need to be given the opportunity to spend months at a time out of sight of the other. If this is not possible, he will probably make both his and the others’ life a misery. He will look for some way to feel in a more intense way than it’s possible to feel in a day-to-day relationship, at the expense of the relationship itself. In a life of routine where passion must necessarily be deadened in order that work can be done, the solitary feels himself deadened and can do no work, for his work is the work of passion.

The solitary is nothing if not a passionate person. One reason he remains solitary is because his passion is so deep down, so invisible to the eyes of others. The only way he can express it is through nonverbal forms, through music and dance and art. It is not possible through conversation, so he tends to be silent because he desires to be authentic more than he wants to be on good terms with superficial relations, if good terms are synonymous with inauthenticity. What are good terms? Usually terms that lack passion. Unspoken terms that everything will be out on the surface and spoken, except for the terms of course, which remain unspoken. When all is ‘open communication,’ then communication opens no doors to the unseen. Doors remain closed and people remain divided.

Even if the solitary believed in being on good terms, if he could not speak to the other of his terms — that there are things that must remain unspoken — it would not be worth his effort. For one thing, he could not help but become aware that he is going against his own essence by doing so, moving away from unification by attempting to be on good terms with other divided people. Though he does not know who he is, he knows he acts as someone he is not when he tries to be on good terms.

And the solitary draws a line here. In art, it is acceptable to speak out of character, in the voice of another real or created person, for in that case he is empathizing in a deep way with another, he is actually becoming that other — “filling some other Body”— taking the form of another for the sake of expressing a truth beyond himself. But what truth is he expressing by being someone else in everyday relationship? He is only exposing himself to the untruths necessary to be on good terms — unspoken terms of repressed passion — in society. In society, the solitary must be another, as he can only be himself when alone, though who he is remains in a constant state of change and flux. What does not change is this: Who he is only reveals itself when he is alone.

But let the solitary be careful not to create an identity out of his solitariness, for the creation of identity is the work of the social world. In creating an identity out of being solitary, the solitary will not be a solitary — in fact, he will be renouncing who he is by saying he is that — because identity and solitude are opposed. The solitary is such as he is because he lives with the tension of having no identity, of being no one to others, so he can discover who he truly is. Being ‘unpoetical,’ having no ‘unchangeable attribute,’ he writes poetry until he is what he writes and no longer needs to write himself into Being.

It is also crucial that the solitary not avoid others solely because it is with them that he feels most alone. In that way he would be like the other-directed or outer-directed man who does not want to be alone because that is when he feels most alone. Whereas the solitary feels least alone when alone, in solitude.

Either the solitary will make an identity out of his solitariness, which is actually a renunciation — though it may be meant to be a celebration — of true solitariness, or he will renounce being a solitary with the knowledge he is doing so, go against his identity-less nature to try and find some niche where he can be someone, using some talent or other he might possess and being rewarded for that talent. But that talent will only come from what solitariness remains in his compromise. There can be no compromise in the solitary. Having an identity as a part of the social world is a compromise, and compromise itself belongs to the social world. Therefore, the solitary cannot compromise. He can write as long as he does not call himself a writer. He can dance as long as he does not call himself a dancer. He can teach as long as he does not call himself a teacher.

Instead, he must aim to accept his own solitariness. One way to do this is to learn to be comfortable with his silence, to refrain from speaking unless he feels compelled from within to do so. There have been and will continue to be many times when others try to compel him to speak, or gently push him to do so. That others will feel uncomfortable with his silence cannot be denied, and whether their approach is forceful or gentle is due to their own personality and makes no real difference. It is still an effort to coerce no matter how gentle.

The solitary must maintain his silence until the words are compelled out of him from within rather than from without. Maintaining his silence will also increase the tension in him. What is in him will strive with more desperation to find its way out. Unable or unwilling to turn to relations, he will be forced to find another outlet. His creative work will begin to take on the aspects of the solitary — passionate, intense longings unable to be communicated in any other way.

The Over-Lookers and The Under-Looker

You overlook me but I see under your looking over. I see how you only ever look over; I see how you do not look in. I see how you do not see me when you look out at me; you will never see me by looking out at me. You look out and over, and you see less than you look at; I look in and under, and I see more than can be seen by overlooking.

Do not think you are special in overlooking me. I do not think I am special in being overlooked by you. You overlook most people, and most people overlook me.

To overlook is one thing, to be overlooked is another, but neither causes me suffering anymore: neither your overlooking nor my being overlooked. To be overlooked in this world is reason to rejoice. To be overlooked in the world above is to be freely given by no one the invisible keys to the underworld, where things are seen truly and appreciated for what they are, where no one is seen for or forced to be someone they are not.

To be overlooked is to begin to look into, to become an under-looker. It will seem at first to the under-looker that being overlooked locks him out of the world. It is true that, in being overlooked, he is locked out of the outside world—where everyone is locked in. But now, locked out of the outside world, the under-looker is free (though initially it will not feel like freedom, for it is not at all like the so-called freedom of the locked-in world where freedom is not possible); now the under-looker is free to discover the unlocked world. “The objective situation is repellent,” how true, so now the in-looker looks under, now his deep gaze locks-in on the underworld, the only place he can and must go to shorn the heavy locks that bolt him to the outside world—where everyone is locked in.

To be overlooked, then, is to become (or to realize that one already was) an alien, an eternal wanderer in and an outsider to the outside world, to come to the understanding that one’s home can only be found inside the underworld. Only if the outsider finds that home, and is true to it, can he learn to be at home in the alien world above, but the important thing for the under-looker, what is first and foremost, though it is unseen by all and of no importance to most, is finding his home in the underworld.

I am more at home in the underworld; in fact, only in the underworld am I at home, for there nothing is overlooked. Everyone there sees into, and already there everyone is under, which is where everyone is above, though this is not seen.

But I go to the underworld alone. There is no ‘everyone’ there. There is only the one who goes under. Only where there is the one can I see. Only in the underworld, in the seeing under, in the in-sight, do I see myself for who I am. Only when I see myself for who I am can I see another at all. This is why I must go to the underworld, and why I must go alone. Look for your own way out from under those who look over you.

The over-lookers who look out may say to the outsider and the under-looker: ‘you are selfish, self-absorbed, indifferent to others.’ The over-lookers will say this fully believing themselves beyond reproach. They are not concerned with themselves, so how could they be selfish? Yet what those with such an out-look lack is a sense of the damage they themselves cause by their overlooking. They do not see what they do, for they do not see at all. They believe looking under is selfishness, but they do not see the selfishness involved in their own blindness. They are blind to what they cannot see, whereas those who look under see what the blind cannot. The under-looker sees the blindness of the over-lookers, he sees the damage this blindness causes to what exists invisibly but is no less true for that—what is truer when it stays unseen, what remains distinct when it stays hidden. To the over-lookers what does not exist above does not exist at all. In their blindness they wipe out the underworld.

To wipe out the underworld—what could be more selfish! What could be more selfish than looking over the under-lookers! For it is these very under-lookers—each in his own way, each in her own way—who see a way beyond selfishness, beyond the absorption with the self that the over-lookers, being who they are, cannot help but overlook in themselves. It is the under-looker who sees a way-out, while the over-lookers see nothing but what is already out, believing that by seeing what is already out they see the way out. But this is no way out. Absorbed as the over-lookers are with the surface that locks them in, they see nothing, not even what absorbs them! For there is much more to what is already out than can be seen—looking out. What is out is nothing without what spurs it out from under. If what spurs it out cannot be seen, nothing is seen, for what makes nothing into something grows out from the inside. The most distinct essence of the under-looker the over-lookers do not see, for the over-lookers see only what looking out lets them see, and the essence of the under-looker lies under, lies in looking in.

And what is the way-out the under-looker sees? Again, let me stress that no one under-looker sees the same way-out as any other. This is of the highest importance and must be made clear. It is not “a way out on which we can all absolutely agree.” No. It is a way-out for that particular under-looker, that ‘I’, and though another might not agree with it (because the other cannot truly see into it), it still remains a way-out for that ‘I’ who does see into it and can act out of it. But only that under-looker, who is not the same as any other under-looker and certainly not the same as any over-looker, can see into it.

Looking-under and seeing-into is not self-preoccupation, as the over-lookers would have you believe. In looking-under one locates precisely the faculty to see out of the inward self and into the outside world in a way true to the underworld. This is the very faculty that those with the overlooking outlook do not possess, for they know nothing of the existence of the underworld. By looking out, they lock themselves into the world above and so are necessarily selfish, though they might call their selfishness ‘real-world wisdom’ or they might call it ‘religious servitude.’ But how can the over-looker serve anyone? He has nothing to give because he sees nothing (though he believes he has everything to give because he sees everything), so his giving is no better than the most violent taking away; he has no wisdom to share because he does not look under (though he believes his wisdom lies in the very fact that he looks out without looking under), and so the wisdom he mechanically dispenses is on the level of the pez dispenser.

The over-lookers look out, and whoever looks out without having seen into is selfish, whether that over-looker believes he is a humble servant or whether other people look up to him, as he looks over them, and believe he is a cultural giant; whether the over-looker concerns himself with alleviating poverty or whether he concerns himself with amassing wealth. Either way he does not really concern himself at all, for if he were at all concerned with his self and with the way he lives then he would look under. If nothing else, what he would find there would be sure to give him reason for concern! If his outlook is such that he does not look under, he will overlook all those he claims to assist, his cultural prowess will have no lasting significance, the wealth he amasses (though it might all be gained in the name of his future progeny or to distribute to the poor), will only serve to keep him out of touch with what can truly be gained and cannot be lost. All gains that do not come from making contact with the untouchable in the underworld cannot last and will be lost. I have no interest in gaining what will be lost; I look always for what lasts, so I look under.

The preoccupation of the under-looker is with seeing into the self and seeing into the world in a way that sees both the self and the world clearly and does not overlook either. This is the only way of seeing that can lead to “a sense of brotherhood with something other than man,” as an under-looker once wrote. This ‘brotherhood with something other than man’ is the only type of brotherhood the under-looker longs for, as he has long existed as an eternal outsider and exile from the outside world of outward men. To be an outsider to the outside world—this is to begin to look inside, to become an in-looker and an under-looker. To become an under-looker, to find one’s home in the underworld—this is the only way-out.

“Dare only to believe in yourselves—in yourself and in your inward parts! He who doth not believe in himself always lieth.” Thus spoke Zarathustra. Honesty means looking out at and into the world in an undistorted way that is utterly one’s own. The under-looker knows that looking at the world selfishly is looking at the world through distorted, unseeing, over-looking eyes. To see totally without distortion—to see oneself as one is, to see every other person as that person is, to see reality as it is—this is only possible by looking under.

Put it this way: The under-looker looks into so he can look out of without overlooking, so he can truly see into and under everything that exists above and outside. Those who habitually look out cannot believe that anything more exists than what is already out, for they have not looked in. If they looked in, they might see more in themselves than what had seemed to them to be their self, or more likely they would see a great deal less. Either way they might begin to look under rather than overlook. But I doubt the over-lookers will have read this far, and if they have read this far they have probably overlooked everything I have written. How typical of the over-lookers, those who look out but cannot see past their own self-importance!

Self-importance begins with overlooking (though the overlooking ones believe the under-looker is self-obsessed and self-important), for the overlooking ones do not see the importance of anyone but themselves. In looking out without having looked into, they can do nothing but overlook. They do not see anyone; they do not even see themselves, for to see is to see under the surface, and the overlooking ones define themselves by their superior capacity to look out, to see what is above the surface. They call themselves practical, sensible, reasonable; they are the realists, the shakers and movers. Perhaps they even call themselves far-sighted. But, in reality, what does it matter if you can see far out if you have not seen deep into, if you see far out only in the world of what seems to be, and you have never seen into the underworld that truly is?

The over-lookers see what is above, which is far from all there is. They look at what is already out, what locks them in, without seeing they are locked in and in need of a way-out; they do not see what lies under what they overlook because they do not look under at all. They look only out; they do not look in.

I am not one of them. I am an under-looker. I look in.

“Often it’s best to be silent”

Often it’s best to be silent
When all around you are speaking,
To be like a captain out at sea
In the midst of storm:
Calm but deeply focused.

People may say:
Don’t be passive,
Speak your mind,
Come out from your shell.

These people misunderstand
Your stillness for passivity,
Your silence for fear,
Your depth for a protective shell.

They may ask:
What are you thinking?
What are you feeling?
Why don’t you share?
Why don’t you join in?
Are you shy?
Are you upset?

Let these questions come and go,
These people do not understand you.

They want to draw you out onto the surface
You need to be drawn back down into the depths.
They want you to be light and cheerful,
You need to be true to how you are truly feeling.
They want you to be who they want you to be,
You need to be who you are.

They do not understand
That underneath your calm surface intense storms rage,
That saying nothing does not mean you have nothing to say,
That spoken words and surface forms mean little or nothing to you,
That you would prefer to spend your days with the silent desert,
Your nights with the wordlessly powerful sea,
Hours of darkness passing in you like winds through a tree.

You are the captain of your own ship.
Why should you let anyone else captain your ship?

In the midst of storm,
You remain calm but deeply focused.

In the midst of fire,
You remain cool but not cold.
You let your emotions run their course
In the complex inner rivers of your heart and mind.

In the midst of the earthquake,
You remain steadfast and unshaken.

In the midst of the hurricane,
You remain the eye that observes
Without being disconnected from what you observe.
You remain the eye to be connected with the more-than-I.

So when the next person asks:
Why don’t you talk more?
When the next person says:
Don’t be so passive,
Speak your mind;
When the next person tries to draw you out onto the surface,
Tries to pull you up like a prize fish from the deep, still water…

Read them this poem.